I press my lips together and follow him as he leads the way toward the nuns in the back.  He’s so focused he doesn’t realize a soft doll slips from one of the bags under his arm and falls to the ground.
“Liam!”  I call out.  “You--”

A girl with brown ringlets framing her round cheeks runs toward the doll before I catch Liam’s attention.  She looks both ways to be sure no one sees her, then snatches it up and into her arms.  The doll fits perfectly in the crook of her arm and a smile brightens her face.  

“Hey!  Little girl!”  I say.

She freezes and clutches the doll tightly to her body.  Her fearful blue eyes dart to me and back to the doll as I step toward her.     

“Hey!”  I repeat, coming closer.  From a few yards away I can see the tremble in her shoulders.  The little girl drops the doll and runs from me.  

I stoop down and pick the doll up from where she’s landed in a heap.  There’s a smudge of dirt on its plastic cheek and I wipe it away with my thumb.  Liam’s over talking with the nuns, and he glances my way.

“That girl--who is she?”  I ask when I reach them.  I don’t wait for introductions.  One of the nuns, the younger one with round spectacles and a pointy chin, looks like she really wants to give me a quick lesson in manners.

“I’m sorry, dear?”  The older nun says, wrinkling her forehead beneath her habit.

“There was a girl, maybe four years old.  Curly brown hair, blue eyes--or at least, I think they were blue.”  I scan the yard as I describe the little one.

The older woman smiles, bouncing the child on her hip.  “Ah.  You must mean Daphne.”

Do I mean Daphne?  I have no idea.  

“She ran from me.  Do you know where she might have gone?”

The thin, bookish nun nods towards a strand of trees near the rear of the property.  The trees are short and sparse, obviously very young, and don’t offer much shelter.  A little form huddles at the base of the one in the middle, facing away from us.

I peel back the corner of the foil around the cookies and grab a couple, then hand the tray to the young nun.  When I reach Daphne’s hiding spot, I find her with her knees tucked into her chest.  Tears streak her face, which she presses to her knees.

“Can I join you?”  I ask.  I don’t expect an answer, and she doesn’t disappoint.  I sink to the grass, leaving several feet between us.  “My name is Claire.  They told me your name is Daphne.”

She remains quiet except for a soft shudder.

“Daphne’s such a pretty name,”  I continue.  “A pretty name for a pretty girl.”

The little girl raises her head to glare at me.  Blossoms of crimson burn at her cheeks.  “Go away.”  She hides her face again.

I place the doll next to her gently, so gently I’m not sure she knows I’ve done it.  “That’s a nice doll you have there.”

Daphne brings her head up again and starts to say something angry.  Our eyes connect and I glance down at the doll laying next to her.  She looks down, too, and then back at me.

“It’s okay, pick her up.”  I say.  “I brought her for you.  I knew you would take very good care of her.”

The girl scoops the doll into her arms again and snuggles her little cheek against its plastic face.  Her eyes squeeze shut in joy.  When she opens them again, I smile.  “Would you like a cookie?”

She nods and tentatively takes the cookie from my outstretched hand.  Daphne reminds me a lot of Taran--flighty, suspicious, and upset.  Like Taran, I don’t push her.  I eat my cookie as she eats hers. When it's gone I stand up and slip away.  She doesn’t follow behind me like the horse does, but that’s okay.

I'm guilty of turning on an album and leaving it on repeat for days.  Months, even.  My husband hates this about me because he and I tend to have very opposite tastes in music (him:  Anything Country.  Me:  Florence + the Machine, which is totally a genre, by the way!).  Though it's not working at the moment, we had an iPod jack in our room where we could plug in our iPods or phones and play our music over speakers in the ceiling or on the porch.

At some point while Moe was sick, I turned on Right Away, Great Captain and left it on.  I remember walking away from  his still-warm but lifeless body on the grass and wandering back to the house wondering what could possibly be left without him.  The only thing to do was crawl into bed in the middle of a sunny day and cry.  Right Away, Great Captain crooned me to sleep on that horrible, beautiful day.  I let it play on in the days to follow because it held Moe and I together, this thread of mournful music.

Tonight I'm getting ready to say good-bye to one of my characters and I don't want to because it's like letting my boy slip through my fingers again.  My heart hurts and it feels right to play Right Away, Great Captain! again to pull myself back into the grief.   

It's no more than two lines into the first song before I can see him stumbling and feel his slick neck against my cheek.  The curl of dread tightens in my belly as I watch the vet check his pupils and slowed breathing over and over and over until he is satisfied and I know it's done.  I'm broken, with pieces that will never go back together quite right.

Sixteen months and it surprises me how sharp the pain still is and how little it takes to bring me back to that good-bye.  That is the power and wonder of art. 

Oh.  How will I ever do this? 

Do you know joy?  I do.

I hear it in the giggle of the girl bouncing along with her pony's trot.

Do you know joy?  I do.

I see it in the grin of the man whose legs cannot move him, but his horse can.

Do you know joy?  I do.

I feel it in the happy step of an animal connecting with their human.

Do you know joy?  You should.

Liam

When I finally felt steady enough to rejoin Alfie, he'd moved on to replacing a broken fence board in one of the paddocks.  He didn't say a word about my breakdown, and I’m thankful for it.  I helped him in silence, holding the plank steady as he secured it to the fence post with a hammer and several nails.  Alfie was getting on in years, he shouldn’t be doing this work on his own.  

He took a breather after the next board was up, and stared off towards the few horses still living here.  

“Tell me about the horses, Alf.  It’s nice to see you, but they’re why I’m here.”

Alfie swiped the sweat from his forehead with the back of his hand then gave a short nod.  “I hated to bring you back, y’know, but with Rowan out of the picture, I didn’t know who to ask.  Besides, you always were better with the horses than him.  He’s got a wicked temper, that one.”

“That he does.”  I agreed.   

We walked down the fence row until we stood in front of one of the few occupied enclosures.  “We’ve got six horses still here, but no one with any horse sense at all wants to help with them, especially the one mare in particular.”  I turned my head in the direction he's looking, toward the rear of the paddock to our right.  When she noticed us watching, the dark horse inside snapped her body into alert, her head high, eyes wide, and ears pricked.  Minus her sun-bleached coat from living outdoors, she was a nice-looking horse and would make someone a fine jumper.  The bone structure was all there, I could see it, but so was the fear.  The longer we stared, the more her terror echoed back.  Without taking her eyes or ears from us, she shrank back against the fence.

“That’s Tarantella.”

I scrunched up my face.  “Tarantula?  Like the spider?”  

“No, no.  Tarantella.  It’s a dance--Spanish, you know?”  Alfie hummed a tune and snapped his fingers as he crossed and uncrossed his arms a couple of times and shuffled his feet.  It looked like no dance I’d ever seen or probably would ever see again, thank heavens.  

With a shake of my head, I said, "You'd better stick to horses, Alf."  

He chuckled and stopped dancing, "Anyway, Tarantella... she was going by the name ‘Taran’, but some of the kids started on with calling her ‘Spider’, so you’re not so far off.”

Spider wasn't a friendly kind of nickname. I wasn't sure what to think about that.

I unlatched the gate to her paddock and walked inside.  Taran pinned herself up against the boards of the fence in response, but otherwise regarded me with curiosity.  “She looks all right,”  I said, fastening the gate closed behind me.  “So, then, what’s the problem?”

It happened then, quite literally, with the blink of an eye.  The dark horse studied me for all of three seconds before blinking her eye and charging after me.  There was no time to fumble with the gate--she’d be on me before I could have made it that far, anyway.  My only option was to climb the fence, and with any luck I would be faster than her.  With thundering hooves at my back, I launched myself at the fence and scrambled over.  Taran clamped her teeth around the heel of my boot before I could swing it over.  The old man was doubled over laughing at me dangling in a rather unpleasant position, with one leg in safety, the other in a wild horse’s mouth, and my crotch somewhere in the middle.  

“That,”  He sighed, wiping the tears from his eyes, “is our problem.”

Three-year-old Rebecca Lamoreaux wanted to be a writer.  Writing, at her young age, translated into etching circles into the margins of her books with crayon.  She loved dreaming up fantastic tales and then retelling them to others.  The magic of stories had clearly captured her heart.     

Her grade school teachers nurtured Rebecca’s love of storytelling.  When she was about seven years old, she was selected to participate in a special program for students who showed promise in writing.  Through this program, Rebecca remembers finishing her first story.  She has been writing ever since.  

Though she has dabbled in all kinds of genres, she mainly writes fantasy, romance, historical fiction, and magical realism.  Her historical romance novel, Lord Hyacinthe, is scheduled for publication through Pandamoon Publishing in April of 2014.  

Rebecca places high value on sharing within the writing community, but she did not always feel that way.  For years she viewed other writers as competition and feared her ideas might be stolen if she confided in the wrong person.  Her perspective changed when a friend contacted her in November of 2012 and invited her to join a group of authors on Facebook.  The Authors Think Tank group on Facebook became Rebecca’s first experience with a community of writers committed to helping other writers.  So impressed with groups such as the Author Think Tank, she sought out more writing communities.  Rebecca joined ANWA, American Night Writer’s Association, a network for women writers who are also affiliated with the Church of Jesus Christ of Latter-day Saints.  The best thing she did for her writing career was attending writer’s conferences.  After meeting other writers at an ANWA conference, Rebecca’s writing improved because of the influence of her growing writing community.  And when a publisher came across her novel during a contest on Twitter, a panicked Rebecca turned to her community to help tighten up her story and help her land her book deal.  

Rebecca’s advice to me, a floundering writer staring down self-publishing after turning down a book deal?  “Grab on and go for it!”

She knows what she’s talking about.

***

Check out Rebecca’s blog out at http://rebeccalamoreaux-anauthorinprogress.blogspot.com, or on Facebook at http://www.facebook.com/AuthorRebeccaLamoreaux